"Ranger Heist", a short film created by @StuntCameraCrew using Ranger S35 Compact Cine Zoom Series. Learn More: https://laowacine.com/product/laowa-ranger-s35-compact-cine-zoom-series Introducing the highly anticipated Ranger S35 Compact Cine Zoom Lenses, featuring the 11-18mm T2.9, 17-50mm T2.9, and 50-130mm T2.9 lenses. With an impressive total zoom range of over 11X, this series sets a new benchmark for the Super35 market. Crew list: Production: @lunaversahq / @stuntcameracrew Producer: @bryancbrand Director: @danielilabaca DP: @boas_wigger 1st AD: @daydreamdojo 1st AC: @nbaetscher 2nd AC: Milo Presedo Sound Engineer: @brantasmo Colorist: @nicomcine Cast: @magnus_mandel / @thenannylina / @_morizon_ Makeup: @anninakatja / @eonawa22 Music & Sound Design: @iamthemustard Special Thanks to @motionvfx / @Dehancer.film / @modernlight.ag @redkomodousers @djipro @ignitedigiaustralia @freeflysystems @motionvfx #Laowa #RangerS35 #cinematography ========================= Follow Laowa by Venus Optics: Website: https://www.venuslens.net/ Facebook: https://www.facebook.com/venuslaowa Instagram: https://www.instagram.com/venuslaowa/ Instagram(Cine): https://www.instagram.com/laowa.cine/ Twitter: https://twitter.com/laowa_lens About Laowa: Laowa is an innovative camera lens brand that offers distinctive photo and cine optics. We strive to enhance our products and inspire a new generation of filmmakers and photographers. Venus Optics produces photo and cine lenses with passion and innovation. The company designs and manufactures its lenses in Hefei, and operates sales and marketing offices in Hong Kong and the USA.

Production: LUNAVERSA® Model: Andrea Victoria Josseck Horse: Imatine Camera: Daniel Ilabaca Producer: Bryan Brand Edit: Milo Presedo Colorist: Nicolas Minder Music & Sound Design: Gregory Bedford

Here is my entry for the #jonmeyerscoringcompetition I used the following instruments: JM Felt Piano JM Antiquarian JM Fun Machine Organ JM Wind Chimes Pianobook NFO Orchestra Enjoy!

Inspired by the visuals from this advert for the Tate Modern Gallery, I set some time to compose music and create sound design without listening to the original audio. The darkness and shadows let me down an interesting road, the synth bass line created a bold, serious foundation, i added a piano melody that helps lighten the mood somewhat, and asks some enquiring questions. I think this paired up nicely with the visuals which take us on a stroll through the halls of the gallery, peeking around corners and what not.

I recreated all audio content for this casual game, with light and funtastical music which responds to key moments in the game, and sound effects of which most were designed from sounds found around the house and various vocalisations, supported with mangled library sounds when required...

#westworldscoringcompetition2020 This is my entry for the Spitfire/Westworld scoring competition 2020. I tried my best to compose music that suited the theme and scene, and to keep out of the way of the dialogue and SFX as much as possible, hope you enjoy it! Equipment used (mobile setup): 2016 Macbook Pro Logic Pro X Audio-Technica ATH-M70x Headphones Native Instruments M32 Keyboard Air Hybrid 64 for all the sequenced/stutter synths NI Razor for the growly synths Spitfire OPW library for the dreamy/spooky keys and drones NI Damage, Action Strikes, Stormdrum 2 and Albion One for percussion Albion One for Staccato Strings and Brassy bits

Sound Design Lead Responsible for all music and sound effects

Responsible for all music composition and sound design

Sound Design Lead Responsible for all music and sound effects

I had a lot of fun composing music and creating sound design for this fun and funky space chimp themed game!

So, nothing mind blowing in terms of audio :) But I was quite chuffed with how this project turned out considering the fact that I had no experience with UE4's audio blueprints prior to starting this game jam. All sounds and music were created and implemented during the 48hr jam and a lot of time was spent having to figure out how to do things! The background music is kinda nifty, I wrote a few different chunks of music, and each chunk featured 2 variations of each instrument layer (Piano, Bass, Pads etc.) I then designed a random music player blueprint that would randomly sequence the 5 "chunks" and each time a chunk was called, each instrument variation was randomly combined. This allows the music to last seemingly forever without hearing any significant loops!

Assisting team Kwa Kwa with additional sound design and mixing using FMOD and Unity. I created sounds for one of the playable characters, Nammeous, and this video captures a playthrough whilst auditioning and testing how her sounds interact with the rest of the game and combat.

Greg's Soundcloud : https://soundcloud.com/greg-bedford-1/the-ducks-bills-main-theme Fan art, in order of appearance : Liliyavp : https://www.instagram.com/liliyavp/ Charlie : https://linktr.ee/charliemartinson RabidBat : https://www.instagram.com/the_rabidbat/ The Duck's Bills on itch : https://desktoy.itch.io/ducksbills Winner announcement / results page : https://itch.io/jam/sa-game-jam/topic/1037428/winners-announcement#post-2135842 Thanks so much for watching! And special thanks to my friends Jordan, Bjorn, Peter, Thomas and a bunch of others for keeping me company while I melted my brain making this :) Cheers!

A few vids I have used as practice for adding sound effects, and in some cases music too.

I spent some time practicing Wwise-Audio implementation within Unreal Engine, making use of their Blueprint systems. This is the result of Round 1, mainly focused in creating the necessary events and hooks. It may not sound like much, but there are some cool things going on: Footstep, Jump and Jump Land sounds were all created from 3 footstep samples. The projectile bounce and metal box bounce are making use of RTPCs linked to the velocity of the object, this transforms the sound accordingly when it only bounces a small amount. Music is dynamic and additional layers are added when the player is moving. Additionally, the music is made up of a number of different melodic and harmonic loops which are randomly played back, this allows for an exponential amount of variations before a player starts to hear the same combinations of loops. Ambient audio and basic spatialisation + reverb volumes finish things off. More polish and additional functionality to follow soon...

I wanted to get to know NI Battery a little better, so set myself the challenge of creating all the sound design for this video using nothing more. It was a lot of fun and I learnt you can create interesting sonic shapes using the pitch envelopes and built-in effects within the Battery interface.

Shomadjozi posted a challenge on her Instagram page, calling for producers to create/compose a beat over the A cappella video she provided. This was my submission!

I composed the music and win stingers, designed some of the sound effects and was responsible for the overall audio direction.

Some basic gameplay of a casino game. I was responsible for creating a suitable audio aesthetic to match this theme/brand, and then composing/creating suitable music and sound effects.